Archive for the ‘Songwriting Tips’ Category

February – For Songwriters, By Songwriters

By • Jan 26th, 2012 • Category: Songwriting Tips

February is album writing month. You know that right? We’ve covered the insanity of February album writing before and there is a lot of buzz among songwriters and musicians alike in 2012. The most popular projects are: FAWM.ORG Each February, this website forges a collaborative community of thousands of musicians worldwide, from all walks and [...]



The Pros & Cons of Signing A Publishing Deal

By • Sep 18th, 2011 • Category: Songwriting Tips

Contributed by: Cliff Goldmacher (EducatedSongwriter.com) For most songwriters in the early stages of their careers, the idea of being hired as a staff songwriter for a publishing company is close to the Holy Grail. It represents that most coveted prize of industry recognition and validation of your talent along with a gateway to cuts, movie [...]



Songwriting Tips from Ben Gibbard, Bill Withers, Prince, and more

By • Jun 13th, 2011 • Category: Songwriting Tips

Here is a compilation of some nice songwriting tip snippets from a variety of songwriters, with accompanying links to their full articles. Check it: Ben Gibbard, Death Cab For Cutie “Writing is such a solitary act. You spend hours alone, only with your thoughts, and you torture yourself. It’s a tendency of many writers to [...]



Songwriters: A Few Suggestions on How to Submit Your Songs

By • Aug 3rd, 2008 • Category: Songwriting Articles, Songwriting Tips

There’s no doubt that being a great songwriter and having beautifully recorded versions of your songs is an admirable goal in and of itself. However, if you’re interested in having your songs see the light of day then your work is really just beginning. This article is the official “chapter after” you’ve written and recorded your song.



The Magic of “Live Music”

By • Apr 1st, 2008 • Category: Live Music, Songwriting Tips

About the unexpected magical moments within live performances, where songs take a shape of their own and transform into something broader than originally written. The audience, the room, the sound all become significant but your intuition and inspiration even more so.



Question and Response Songwriting

By • Feb 4th, 2008 • Category: Songwriting Tips

This article is contributed by Chris Muktar of the blog How to Make it in the Music Industry. Today we are going to discuss a very simple concept, that is question and response melodies. We are not, in this article, referring the questions and answers with respect to lyrics. Usually melodies appear in couplets, or [...]



Who Listens to Music?

By • Aug 21st, 2007 • Category: Inspiration, Songwriting Tips

Music fans of course, but they do so while reading a book, dancing, or doing something else. By listening like a musician the songwriter can learn a lot more about their own craft. This article is about listening like a musician, and about how doing so with one particular album helped me to learn things I could use in my own songwriting.



Techniques for Songwriters: The Theory of Appreciative Comparison (Part I)

By • Jul 23rd, 2007 • Category: Songwriting Advice, Songwriting Articles, Songwriting Tips, Songwriting Tools

We are adapting this theory to the Musical realm in a practical way so that we (the artists) can more effectively write music and in turn have the audience recognize, understand, and appreciate our music much more.



Songwriting from start to finish – caught on video.

By • Jul 3rd, 2007 • Category: Songwriting Tips

(Editors Note: This fantastic post and video clip was contributed by Steve Guiles of Songwriting Apples. Fantastic video documentation of the creation of a song, from start to finish.) My kids were taking a bath and I was sitting strumming my guitar with no particular goal in mind, just playing chords and humming. Within a [...]



Songwriting Tip: Let the chords paint a picture.

By • May 17th, 2007 • Category: Songwriting Resources, Songwriting Tips

I was reading this article from Jeff’s Songwriting Blog on “Taking Your Listeners on a Journey” which reminded me of a recent co-writing session I experienced. In this session, I played a chord progression I discovered and really liked. My co-writer said when he heard it he pictured “a guy leaving the house in the [...]