Viral Marketing – What’s Really “Real” About It?
By Cliff Goldmacher • Feb 23rd, 2009 • Category: Featured
The Bad News
In my 15 years of making a full-time living in the music world, one thing has become more and more clear to me. It’s work. The romantic image of the starving artist or songwriter being so incredibly talented that one day he or she gets “discovered” and becomes rich and famous is a dangerous myth. I say “dangerous” because the more you as an artist believe it, the less inclined you’ll be to do any work on your own behalf. The gritty reality is that if you don’t do the necessary (and daily) work promoting yourself and your music, it’s highly unlikely anything will ever happen.
The Good News
There has NEVER been a better time to spread the word about yourself and music. The internet, with its downloadable digital music files, social networking sites and countless other advances that we can’t even begin to imagine yet, has leveled the playing field in a way that will make the “work” you have to do infinitely more effective.
Gather Your Fans
The more you can identify and reach out to your fans the better off you’ll be. Whether it’s your friends on MySpace or Facebook or the email addresses you’ve been collecting at gigs or online, it’s these people who you need to be able to reach effectively to spread the word about what you’re doing. Treat your list of email addresses like the gold that it is. It’s these people who will not only consider buying your music when it comes out, but more importantly, will also help spread (”viral” get it?) the word about you and your music. Once you’ve got a network of fans that you can reach out to, you’ve dramatically increased your potential to spread the word about what you’re doing.
Be Creative
The fact that the playing field has been leveled and almost anyone can get their music out worldwide is both a blessing and a true challenge. Instead of fans knowing that the local Tower Records is where they should go to find new music, the internet, with its infinite musical venues, has become the new (and overwhelming) place to find what’s new and great. The more creative you are in your presentation, the more likely a fan of yours will be to forward a YouTube link with your video or any one of a thousand other ways you can create to present yourself and your music. Again, the plan is that by putting something out there that’s unique enough to rise above the typical internet fare, it will take on a life of its own and appeal not only your current fans but also to new fans in ways you’ve never imagined.
Stay Current
The outlets for music and ways of marketing online change and advance almost hourly. Taking time out of your day to be aware of the next MySpace, Facebook or Twitter will pay huge dividends going forward. It’s not enough to find one way of reaching people and stubbornly stick to it. If that were the case, bands would still be mailing postcards to let people know about their gigs. Did I just date myself?
Give It Away
Don’t be afraid to give something to get something. A free download of a song in exchange for an email address is the best deal out there these days. Make it worth someone’s while to give you his or her email address and you’ll be amazed at what happens. Let your music speak for itself. If fans like their free download, there’s a much higher likelihood they’ll come back and buy the rest. You don’t have to reinvent the wheel to do this either. Take a peek at a simple and effective example by clicking here.
Make Sure Your Music Is Available
I can’t think of anything more depressing than the artist who comes up with an amazing vehicle to promote his or her music, watches it go “viral” and generate huge web traffic to their site only to have nothing readily available for sale. Don’t expect most people to wait around or check back with iTunes every few days until your music is up. Make sure that before you go about promoting your music, you’ve taken the necessary steps to insure that if and when people want to buy your music, they can do it easily. Companies like Tunecore make this essential step both simple and cost effective. Don’t wait around for people to start asking how they can get your music. By then, it’s too late. Do it first.
Trust Me, It’s Real
Be patient. Not every online marketing attempt you make will result in thousands of downloads and new fans. However, every effort you make to get the word out about your music (even if it’s fifteen minutes a day) becomes part of the bigger picture of reaching new fans. The more fans you have, the greater the potential for any one thing you do going viral and bringing in not only more fans but income. All of a sudden your “friends” on MySpace and Facebook just became a whole lot friendlier. Think of your work as a series of base hits that will get you ready for your shot at a home run. Good luck!
Cliff Goldmacher is an experienced songwriter, producer & engineer with recording studios in both Nashville and New York City. A multi-instrumentalist and session musician in his own right, Cliff plays acoustic guitar, piano, mandolin and harmonica. He has recorded, played on and produced over fifty independent albums and hundreds of demos working in the studio with artists from Emmylou Harris to Lisa Loeb. When he’s not songwriting and producing, Cliff teaches workshops around the country for BMI, ASCAP, the Songwriter’s Guild of America, and the Nashville Songwriters Association (NSAI). Cliff is also a regular contributor to EQ Magazine. Visit Cliff's website at http://www.cliffgoldmacher.com
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Your right on point. I have seen many musicians do good things, posting a free song to download works very well.
It all can be summed up as “make your music available (or at least some of it), gather your fans and then you will do something… Otherwise you’ll just be a “control freak” who can’t make a living of his music…”
I reckon it’s far from being a very intuitive concept mostly because it’s not easy for the musician to see where he gets his money in this process…
Hi Readers,
Sorry for the missing link in the “Give It Away” section. The link under the “clicking here” text is http://www.charliedegenhart.com
All the best,
Cliff
Excitment and a little bit of guts seems to be the right combination for today’s artists. All these tools are there for the take, and most of us are already using them on a personal level.
Its about taking ownership of your future; more and more record lables look for some success prior to signing a new artist, even the “advancement amount will be directly connected with your track record.
Great post Cliff, thank you!
Excellent advice Cliff! I think professional songwriters get the concept that it’s their job to write, and they have to “go to work” more often than the average band/group of musicians. Also, about the myth, “…’dangerous’ because the more you as an artist believe it, the less inclined you’ll be to do any work on your own behalf” - that was very well put.
When we started our mastering studio, we treated it more seriously than we did back in the day as young recording artists. Of course, it’s obviously a business (whereas, we didn’t all agree that our bands were businesses), but waking up in the morning knowing that the only person you can count on to promote what you’re doing is yourself, and that you have a big responsibility to make it happen, is a major determinate.
If I tried it again, and was starting over with my guitar today, I would take it all more seriously, and I would make sure my band mates did too. Don’t get me wrong, we used to be serious…about our music, but not about our success.